Jochen: How did
you get in touch with Steven Wilson – who actually did
a great job on your album, I’d say!
Omer: That's an easy question: with an e-mail. I just sent
him an e-mail with some of my stuff I've been working on and
he got back to me. That’s how we hooked up and that's
when we've started working together.
Jochen: Was the
final version some kind of teamwork or more guided by Wilson?
Omer: Well, I have to say that it was more of a guide than
teamwork. He wasn't there in the studio with and I did the producing
of the album myself so he was there for my questions and for
consultation for once in a while. Of course that in the mixing
phase he became more active since he's the one who mixed and
mastered the album.
Jochen: I think
even if there are slight echoes of Porcupine Tree, your record
already has its own trademarks in sound and melodies.
Omer: I'm glad to hear that. In my opinion most of the porcupine
tree feel kicked in at the mixing phase, Steven used a lot of
techniques that he uses on PT albums.
Jochen: Is EPHRAT
a real band or rather some kind of project, whose musicians
– except for you – are replaceable with other studio-musicians?
Omer: That's a good question actually. The band started
as a solo project of mine and that's how I wrote everything
and that's how few things have been recorded. Only at a certain
phase I decided that it will be a band and recruited Gili (bass),
Tomer (drums) and later on – Lior Seker (vocals). But
I guess because that the decision was made in the middle of
the album making it's not a homorganic band and that will be
tested in the near future. It's really important for me to say
that it's not a one time band with a one time album like few
other projects in the genre. It's a band that will continue
to create and to release albums and hopefully soon will also
begin touring.
Jochen: I wouldn’t
rate it necessarily negative, because an open approach has its
advantages. And especially your guest singers Petronella Nettermalm
and Daniel Gildenlöw are enrichment for the album. How
you got in touch to these nice musicians?
Omer: Logistically it wasn't hard. We are all signed at
the same label. I just sent them a request to appear in my album
and they agreed. Everything sound quite simple isn't it? After
they got my request they immediately agreed and we begun to
work each vocalist on his song.
Jochen: Amaseffer
work together with Mats Leven, you do the same with the above
mentioned. Do Israeli-musicians have a special affinity to Scandinavia?
Omer: I don't know about the Amaseffer lads but seriously
I think that Scandinavia is a musical treasure. So many great
and most importantly unique bands. I don't know what the reason
for that musical abundance there is, but it's there and it's
different from the rest of Europe (in my opinion).
But it's not that I picked up the vocalists using a map, I just
wanted to have the best and more appropriate vocalists for this
album, that's what directed me.
Jochen: A propos
Amaseffer, it seems that a lot of new and outstanding music
comes along from Israel in these days. Is there any reason why
this does happen right now?
Omer: I don't think so, it's a clear coincidence. I don't
know them and they don't know me and there are a lot of other
great bands here that worked on their music in the same time
(and still are) but only we had the break from InsideOut. Was
it a decision by InsideOut to open the Israeli music gates?
Could be, but you have to ask them.
Jochen: Although
your music – apart from its rich diversity and virtuosity
– is quite different from Amaseffers, you’re both
part of the InsideOut-label. Are there any points of contact
between the two bands in “real” life or is it pure
coincidence?
Omer: Like I mentioned, there's no connection between both
bands, and I think that you can hear that we are on a different
page of the Prog genre, but it could be interesting to meet
them actually.
Jochen: Oriental
influences in your music are probably available, but I think
the influence of pop and rock music of Central Europe and America
(from the Beatles to Porcupine Tree) is a bigger one, right?
Omer: Exactly. A lot of Israeli bands are something you
can call an ethnic band, if it's Amaseffer or Orphaned Land
and we are definitely not an ethnic band. We are a Prog band
influenced from the Prog genre classic bands and the ethnic
features are the side dish. It’s not an attempt to discard
the Israeli nature but simply my musical taste and the way I
write, that's all.
Jochen: What’s
about EPHRAT as a live band? Are performances planned outside
of Israel, perhaps even a tour?
Omer: Well, we are working on the logistics of that matter
these days and I must say that it's not going to be easy. It’s
not the usual band and it will be a big production to handle.
But to the fans it only means that even though it will take
some time, it will be a show to wait for.
Jochen: Once again,
heartfelt congratulations on your truly excellent debut, one
of my favorite CDs in the recent months. I am looking much forward
to your next release... are there any plans by now?
Omer: Thanks again. There are always things running in my
head but now the emphasis is on touring.
Jochen: Best wishes
for your future!
Omer: Thank you very much. Bye, bye.