Obscure metal music within a state of flux like energies swirling about in a chaotic soup of harmonious unraveling Germany’s own five piece tornado PAIMON bashes their current effort Metamorphine to enlightening intrigue. From swift vehemence guitar compositions melding with distinctive black metal to thrash packed punches guitarist Oliver Klein shares his thoughts from the bands songwriting, touring to the future outlook for PAIMON.

Paimon

Jussi: Wanted to say hallo and congratulations to the good reviews with Metamorphine. How does the group feel about that?
Oliver Klein:
Hello and thank you very much. First I would like to say that my English is not very good and that I hope I can make myself be understood. We feel very good about the good reviews and the appreciation that most of the people give to us for releasing Metamorphine. We are very proud to see that there are many people who like what we are doing although I also have to mention that there are some who think what we have done is already done to many times before and is not needed anymore. But those are not too many. We can say that we have reached the aims we followed with Metamorphine and hope that our next album will be as successful as this one.

Jussi: The band is described as pure melodic death metal. Do you think there is more to PAIMON’s sound than what one perceives the music to be?
Oli:
There are many influences in the songs you can hear on Metamorphine. For example they come from Folkmusic, dark-, and black metal or thrash metal and are more or less clearly to get. There is also a difference between the songs so that one can say A Moment Of Pride and Millenial Troubles are the songs with the most folk-elements and for example Misanthrope has more thrashy parts, but the main direction in our music is melodic death metal.

Jussi: Can you give me the reason behind naming the band PAIMON? Was it chosen cause of the bands musical nature, if so why? (Considering Paimon is a demon of sorts)
Oli:
When the band was founded, André, Voland and the others where playing dark- and black metal. Their intention was to find a name that fitted with this dark direction and decided to name the band PAIMON. Nowadays this isn’t relevant anymore though there are still some dark metal elements in the music. For us the meaning of the name PAIMON has changed into standing for our music, 8 years of band history and a lot of fun and important moments. There is no occult message anymore.

Jussi: For the ones that have not heard of the group how can you explain your musical sound?
Oli:
As I said before, we play melodic death metal with many influences from other metal styles. In all songs we often use double lead-, rhythm- and melody guitars, but also lots of clean- and acoustic guitars. The vocals mainly consist in deeper grunts, growls but also screaming and some clean sung parts. In many reviews the vocals are mentioned to be very special and the music is described as Gothenburg melodic-death like the old albums from bands like In Flames and Dark Tranquility, so build your own opinion about it.

Jussi: How long has the band been around? Can you give the readers a brief history of how PAIMON came into existence?
Oli:
PAIMON came into existence in 1997. The only members of PAIMON who are still in the band since then are André and Voland who where the founders of PAIMON. In the early days of PAIMON there where some lineup changes: In 1998 and 1999 the band recorded the demos Sweet Sin I’ll Find and Following The Afterglow. In the year 2000 PAIMON signed a deal under the Liechtensteiner label MOS-Records and released the debut album Terra Oblivionis. 2000 was also the year when our actual drummer Daniel joined the band. In 2002 the label went bankrupt and so again PAIMON was without a deal. In 2003 it seemed as if the end of PAIMON was reached when on one hand in May the rehearsal room was lost and a band member decided to quit and on the other hand too many private and personally problems started to have impact on the band. But after a half year lasting break - in December 2003 – André decided to bring PAIMON back to life and so Alex and I joined the band (they only chose me because I had a rehearsal room, haha). From then on we worked up to release some songs that where written since 2000 together with some others that were written after the reunion. All of them were published by Elysian records in May 2005.

Jussi: Seeing that there are many talented dark intense metal bands coming from Germany these days (such as Nocte Obducta and countless others) do you find the bands musical direction following a broader scale due to the death metal influences involved as opposed to black metal?
Oli:
Now I’m in trouble because I do not know if I got the meaning of your question but we will see. PAIMON’s music surely is different from black metal, but I would not say “opposed” because there are still some few black metal elements in the music. And one should also see that PAIMON’s was nearer to black metal in the past. But we can clearly say that the BM - elements are not the most important ones in our music but the melodic-death and folk elements are those which are characteristic for the band. We were already on stage with Nocte Obducta and other more or less “true” black metal bands and we have to say that this always was a good mixture of music styles fitting together.

Jussi: Does PAIMON have any plans to bridge their musical horizons outside of Europe?
Oli:
This would be great but at the moment there is no money for realizing plans like that - but of course we hope that this will be possible one day! But in some countries outside Europe it should at least be possible to buy Metamorphine.

Jussi: In previous performances of the bands past was there an interesting experience that you care to mention?
Oli:
There always happen many things I would care to mention but I think that they are not that important or even not funny for someone who does not know the band members personally. On one day something goes wrong with the equipment or the rented PA-systems and the show becomes really awesome and on the other day the people in front of the stage go mad and give us the feeling of doing a really great job. The most important experience is the experience of the feeling being on the road together with your band and to live in a way that is very different from the regular day.

Jussi: What is the one thing that makes the group different from other bands in Germany?
Oli:
The one thing?? There are so many! First of all the excellent songs, the handsome and charming band members and, and, and… hmm – I don’t know – who said that? Haha! I hope it is the music that makes us different from all the other bands.

Jussi: Can you tell me more about the album and its theme of elements that went into the creation of it?
Oli:
You can see the album as a compilation of songs that are each a theme in themselves. The album did not come into existence as one part. We have decided to record these songs which we have chosen from all the songs that have been written in the years between 2000 and 2004 for they where our favorites. Into each of them went a lot of ideas, emotions and many different moods from a certain point the Band was at when writing the song.

Jussi: PAIMON’s lyrics are deeply rooted in depth to the worded structured involved, for example song Madman’s Revenge seems to be a song with some pagan occult subject matter for it mentions (on the first verse, third and forth lines) “white robe, the dagger in the hand-he’s standing in the circle of salt”. (for anyone pagan salt is used as a form of protection) as for the rest of the song it seems to be more of a musical story of personal damnation. Can you tell me more about this song and what influences went into it?
Oli:
These words in the beginning where chosen to create an occult atmosphere. The protagonist is preparing a ritual for taking revenge. He is trying to do that through a power he has no control over though he thinks he has. So he fails and falls into this damnation without a way out. Voland uses the story as a metaphor. What he wanted to say in this song is that one shall not do anything without thinking of consequences when being lead by ones own emotions and not taking dangers seriously.

Jussi: Song four Millenial Troubles is a sung both in Russian and German mix, why the utilization of that with this particular song?
Oli:
There is no particular meaning about the use of Russian language in this song. Voland writes some of the texts in Russian what is his mother tongue or in German and translates them into English afterwards. When Millenial Troubles came into existence the band decided that the text fitted best in its original version and so there was a Russian text. It is not the first time for PAIMON to release a record with a song sung in Russian. The song On The Black Wings Of Sorrow from Terra Oblivionis is also sung in Russian. (by the way – the song is almost completely sung in Russian and one verse in English – we decided to print the German translation in the booklet)

Jussi: With the instrumental compositions of To A Stranger and On The Way both are very compelling pieces of music, for a group such as PAIMON was this something that the band wanted to showcase on Metamorphine to show diversity?
Oli:
We think the album shows diversity even without these two songs. They are on Metamorphine because they are two more ideas we wanted to be recorded. We think they fit very well with the other songs on one hand and on the other they create breaks that make it possible to calm down a little bit and – in the case of “…on the way” – to realize that the album is finished what both is intended to bring the listener into a special mood. But we do not think that this is something special, because there are also many other albums on which bands use instrumentals, intros and outros for purposes like that. And hey – on Metamorphine they are not intended to show what the musicians can do or not ;)

Jussi: Any current band related news to report?
Oli:
The only news we have to report right now is that we again have a new bassist – his name is Till again (Tilman). The Till who took Alex’s place had to quit too because he also has run into problems with his spare time so that he has no chance to do the job in the future. So we asked my best friend Tilman who is the guitarist of the progr. black/death-project Mercury Sun to play a gig with us in the next week. This gig was cancelled but he has already learned the bass lines and so we could persuade him to stay with PAIMON. I have played with Tilman in our old band from 1994 till 2003 and now I am glad to play together with him in another band again.

Jussi: Can you describe a typical day in the life of PAIMON while touring?
Oli:
Until now there never has been a continuous touring for PAIMON but we have often been on the road together for playing all over Germany. Usually the day begins early at the rehearsal room. We meet there, put the things we need into the cars and drive to the location we are going to play. Then we check in at the hotel if there is one; build up everything and the bands start with the sound check. This means a lot of hanging around at the concert place or in the city when there is nothing special to do because you are already done or waiting until it is your turn. Sometimes there are more things that need to be done for example building up the merch. Then the evening breaks, the people are coming and the first bands begin to play. Either we watch them or we are sitting at the backstage room and talk about anything. Then it becomes time for us to do our show. When we are ready the party begins for those who do not have to drive anymore. Often some of us watch the headliner. When we stay at a hotel for the night this usually becomes a long night (when we drive back home at the same night it can even become longer – once, after playing near Duisburg we ran into a traffic jam at 3am in the morning because everyone from Köln was going to vacation and there was only one track free for use because of road works) with a lot of fun and drinking. The last evening like this ended up in a fight between Danu and Voland on their balcony and Alex and me on our balcony with cookies – while using our deodorant as a flame thrower.

Jussi: Do you see PAIMON bridging to newer audiences in the upcoming year? If so, where do you think the band will be and what will the band be doing?
Oli:
I’m sure that we will reach more people and enlarge our audience with the release of Metamorphine. Now our aim is to play some more gigs in the winter and start to work on new songs for the next album so that we can make another release within the next one or two years. This is a reason why Metamorphine is that especially important for us. The many good reviews made some people pay attention to us and our music. This is a great chance for us to reach even more people with the next album.

Jussi: Who writes most of the music/lyrics?
Oli:
In the past André has written most of the songs and Voland was responsible for the lyrics. During the last summer André and I have written two more songs for the album (A Moment Of Pride and Sir General Freedom) and we think that we did a good job so that from now on we will write the songs together. This is meant for the basic structure of the songs – the guitar-lines. The arrangements and some details of the songs are usually worked out at the rehearsal room. This is also the moment when we start to think about a concept for the lyrics which Voland is going to write.

Jussi: Wanted to say thanks for putting out a powerful album and interviewing you as well. Thanks for making me a new fan. Keep up the good work and let me know what comes to be for PAIMON in the future.
Oli:
Thank you very much for the great review and the interview. Sorry for the short statements but as I said – my English is not the best, so that I sometimes felt really handicapped when answering your questions. I hope it was at least good enough to be understood. Thanks for everything and greetings from Germany!!
Oli & Paimon

 

10/2005 © Jessie Gough • Paimon