Daniel: PUISSANCE
now exists since 1993 and has published several albums on different
labels (among others Cold Meat Industry). Can you shortly describe
the key points of the development of the band?
Puissance: I don’t really know what that would
be, we simply wrote music for 14 years and here we are.
Daniel: It
is well known that PUISSANCE is a 2-man-project. How is the
role allocation inside the band? Do you see yourself as equal
partners? Who is what bringing into the creative process?
Puissance: We actually don’t speak very often;
we live far from each other and mainly communicate via net or
phone. When we write music it is often over a distance.
Daniel: The
image of PUISSANCE in the public could be described as controversial
by all means. It is almost your trademark to have a negative,
apocalyptic view of the world affairs and of the future of mankind.
Did you adopt a more even-tempered approach with the higher
age and advanced music-wise experience?
Puissance: I wouldn’t say we are even tempered;
we simply debate and discuss topics that are relevant to our
time. When people call us controversial and that we say terrible
things they are actually saying it about the rulers of the world,
the people who plan to exterminate 90% of the world’s
population in order to build what they perceive as a sustainable
development on earth. These people are super nationals and have
no loyalty to anything or anyone except the global government
they wish to create. The global government is to be formed from
what is now WTO and will simply circumvent all current democracies
via trade agreements that supersede national laws. This process
has already been going on for a long time and many wars have
already been fought to bring about the implementations of this
new world agenda. At this point in time we are all slaves under
WTO, IMF, World Bank and United Nations. We are however not
yet completely bound under the world government; in order to
bring it fully in the globalists must first set up a European
Union, African Union, American Union and Asian Union. The first
two are already complete as I think most people already know,
the second two are underway. As the setup of the Asian Union
is almost certain to fail we are likely to see a nuclear war
between the Asian states and the western states in the coming
years. Basically our lyrics deal with the things that stem from
this world being organized. Now if anyone wants to call this
negative, apocalyptic or anything else they are free to do so.
All is easily confirmed for anyone willing to do 20 minutes
of research, if you feel that being murdered in order to manifest
the dream of psychotic bankers and genocidal warlords you may
wanna consider listening to what we say and start doing something
about it. If you on the other hand prefer to stick your head
in the sand and ignore these facts by dismissing them as conspiracy
theories you are welcome to do that as well.
Daniel: Your
just released album Grace Of God can be accessed easier
by more melody and song orientation than former releases. Are
you content with the reactions from fans and critics so far?
With view to current output in how far do you see any improvements
to former releases?
Puissance: It seems people like the album; they liked
the other albums too. Not sure what to say about it.
Daniel: Regarding
the content on Grace Of God you are dealing with current
development of global politics, especially the neo-conservative
geopolitics. Now is the music of PUISSANCE not really appropriate
for the masses and public oriented. Which role can PUISSANCE
play in the discussion about the foreign policy of western states?
To what extent PUISSANCE is able to make people critically questioning
popular opinions?
Puissance: The album deals with politics or rather
the emotional and social aspects of the globalist’s imperial
policy. If someone chose to listen that is fine. If they don’t
we can’t really do anything about it. I believe we reach
more people with PUISSANCE than we would by
other music.
Daniel: Recently
your homepage got extensively re-launched and contains a lot
of texts and articles about the Bush government, names of influential
neo-conservatives like Samuel P. Huntington as well as conspiracy
theories about 9/11. What are you aiming at with this offer
of information and how is this weighted against your music?
Puissance: We don’t really write about the Bush
government, we write about global policy. As you probably know
there is a “national Id card” being marketed in
your country, they call it national both in your country and
in mine. But it’s a global ID card; they simply don’t
wanna call it that because that would be a bit frightening for
people at this stage. The card may or may not hold a so-called
RFID chip depending on model, but eventually they will. The
RFID is a small radio ID tag that holds a unique ID number,
these RFID tags will be more and more common in the coming years;
they are going to be used to track people, goods and money.
Eventually we will be more or less forced to have a small RFID
chip implanted in our body, some people actually already have,
and you can read about that on an external link from our web
page. Anyway, this chip will basically hold your ID number and
will be linked to your bank account, social security, medical
record and so forth. Very Orwellian and very, very dangerous.
Basically it all takes to make someone a non citizen is to erase
their ID number and they cannot buy anything, they can no longer
travel, basically they no longer exist.
Daniel: What
is the „Artists Against New World Order“? Which
artists are participating and what are you pursuing with the
campaign „Vote For Puissance 2008“?
Puissance: Artists Against New World Order is an organization
open for any artists that publish material oriented towards
this topic. Basically it is artists concerned with the development
of world government.
Daniel: Your
image is not that of the merry boys from next door. The Bush
Rap Song as background music on our homepage is quite amusing.
How did it come to this?
Puissance: We needed background music for the site.
Daniel: With
publishing of Grace Of God your album from 1998 Back
In Control has been re-released and the debut Let Us
Lead already in 2005. What has been changed at those two
albums and which status do those early creations have for you
nowadays? Are more re-releases planned?
Puissance: Not that I know of.
Daniel: The
idea to put an encrypted bonus track on the current album is
inventive, but why does the media player necessary for the decryption
only work with systems like the quasi-monopolist Microsoft and
not on Linux or Mac OS?
Puissance: Mac OS is garbage, probably the worst operating
system ever written in my opinion. When it’s not crashing
it’s likely to be booting up (barely) or shutting down
(usually without being asked to do so). I know most Mac owners
say that their machines always work and so on. I suspect they
say this because they feel bad about paying so much more for
so much less performance or because they never really do anything
on their machines. If all I used was notepad I think my PC would
be pretty damn stable as well. Actually my PC never crashes.
I think the secret to that is using reference drivers rather
than crappy drivers supplied by overbloated installers full
of useless software that never serves any purpose. As for Linux
support, any programmer that wishes to support our album for
Linux is welcome to write a CD player, once the GUI is implemented
please email us a copy of it and we will supply the decryption
key for the encrypted track.
Daniel: Anything
more you would like to tell the Nocturnal Hall readers?
Puissance: I would like to urge people to investigate
reality, find out more about the world. Most people have no
idea what is actually going on. A good place to start is this:
Operation Gladio
IMF Riots
Operation Northwoods
Iran-Contras
Operation Mockingbird
The Georgia Guidestones
Transcripts from the UNCED meeting in 92
Operation Paperclip
Those topics provide
a decent entry point into world politics and globalist policies.
Daniel: Thanks
for the interview!
Puissance: Thank you. It was a pleasure