Another 
                trip to London for the 2nd day in a row to see a band that I’ve 
                been a fan of for quite a few years now, but never had the chance 
                to see them.
                With a superb new album to promote, The Ghost Reveries…I 
                knew OPETH were going to be the only band in 
                town tonight to bring the city Of London down…
              OPETH 
                are one of the only bands that can take their own version on Death 
                Metal, Progressive Rock and Acoustic Rock, combine it to make 
                it work, and over the last 10 or so years, have really captured 
                a strong underground following.
                Covering a career of some 5 or 6 albums now, and with a monumental 
                new album on their new label, one of the top labels for heavy 
                metal at the moment Roadrunner Records, OPETH 
                are ready to reach the levels of exposure they have been threatening 
                for years…no, ‘deserving’ for years.
                It’s sad how some forums and people have slated OPETH 
                for signing to Roadrunner, saying that the label would insist 
                on changing the bands sounds, etc… My response is… 
                AS IF MIKE AKERFELOT WOULD ALLOW THAT!?!?!? Enough said…
              Unfortunately, 
                we were late due to leaving work late and having to travel the 
                200 or so miles to get to gig, thus missing EXTOL… 
                who I’m assured were ‘ok… if you like that sort 
                of thing’ by a punter I asked.
              The house 
                lights went down…the roar went up…the band took the 
                stage… I just thought “Oh yes…here we go!”
              With a brilliant 
                piece of metal arrogance, the brilliant Swedes kicked off the 
                show with the superbly epic Deliverance. A fantastic 
                song that really set the stage for tonight’s events and 
                for what OPETH are all about. Diversity, progression 
                and a good old-fashioned headbanging riff!
                Bain Of The Hounds is up next from the new album, a stunning 
                prog journey through landscapes initially forged by bands like 
                Tool and King Crimson, both who’s influence on the new album 
                is very apparent. After the opening salvo, Mike graces us with 
                some amusing crowd banter including such classics as: “Hey 
                guys, you all drunk yet?” The crowd appropriately responds 
                with shouts and roars… “Ahhh…well, I’m 
                just tripping off some heroin, as ALL rock stars do…” 
                is his response. Great piece of deadpan wit from Mike, made me 
                and my fellow travellers laugh…some people didn’t 
                get it… Then again…some people don’t get OPETH… 
                think 90% of the crowd understood.
              Next on the 
                set list: Harking back to 1996-ish from the My 
                Arms, Your Hearse album, OPETH 
                dug out the classic When. I was most surprised to hear them announce 
                this and it was even more of a surprise how I had forgotten this 
                album a little. It all soon came back after the 3rd bar of the 
                riff! Headbanging ahoy!!!
              Two chilled 
                ballad tracks from the Damnation album 
                allowed me time to go to the bar and recover from the opening 
                25 minutes of continuous moshing. (Yes! 3 songs taking literally 
                25 minutes…that’s a real headbanging work out I’ll 
                have you know!) The diversity of OPETH is what 
                makes them so vital to music in general, how they transcend so 
                many guitar-based genres in one foul metal swoop. Great tunes 
                and it perfectly set up the mood as the majestic opening lines 
                of “Please remedy my confusion…” weeped from 
                the house PA system. Yes…a kick-ass tune in the form of 
                The Drapery Falls, sweeping and winding its way through 
                crystal clean sound (well done that soundman!) into the minds 
                of the assembled throng.
              My personal 
                fave moment of came next with The Face Of Melinda, it 
                was a little heavy on the phaser effects they had on their guitars, 
                but no denying what a great and moving tune this song is. Had 
                me singing along for a start!
                A couple more tracks from the new album graced us next, sharply 
                delivered and stunningly executed led us to the end of the show… 
                People started to leave, to catch trains, to catch buses, to meet 
                loved ones… We had none of this business to attend to, so 
                we waited…hoping…
              After leaving 
                the stage for some 10 minutes, the band came back on to rapturous 
                applause and promptly silenced the crowd as Mike spoke his soft 
                tones.
                Brilliantly done, how to calm a crowd…Speak softly…none 
                of this ‘speaking in my death metal voice ALL the time in 
                between songs’ malarkey that I suffered the previous day 
                at the Harvest Festival… though amusing, it got tired REAL 
                quick. Blackwater Park was the encore… I won’t 
                write about it as I’ll save that for myself and my memories.
              To summarise:
                Magical, mystical, splendid, divine and generally damn good! Best 
                live band I’ve seen since Meshuggah last year…