I
had assumed that SAMAEL's triumphant return to
English soil would be a near sell-out and so I was confused to
find The
Scala less than full for tonight's show. It wasn't
until later that I discovered, for reasons known only to the promoters,
that this gig happened to fall on the same night that Machine
Head were playing only a few miles away at the Astoria. This obviously
left more than a few London metalheads with a decision to make,
with many choosing the Americans over Switzerland's finest metal
export. All I have to say is that I hope Machine Head were worth
it, because SAMAEL were absolutely mindblowing...
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pics ::
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Frenchmen
DAGOBA were first on the bill, playing rhythm-heavy
tunes in the style of Fear Factory. This was the first I'd heard
of them and they sounded quite good with tight guitars and a pummelling
rhythm section. I was a bit surprised though when they began jumping
up and down in unison during the intro of one of their songs,
nu-metal style. This would've probably worked a bit better across
town at the Machine Head gig, but it seemed a little out of place
here. Still a solid performance though to get things going.
::.
From one end of the heavy metal spectrum to the other, next up
were Polish death metallers SUPREME
LORD, playing blasting old-school death/thrash. I
missed quite a bit of their set as I was rushing around trying
to tee up my interview with SAMAEL, but from
what I saw and heard their set was raw, brutal and fast, slowing
down only a few times for some-mid paced riffing. SUPREME
LORD might not have been the most appropriate band to
support SAMAEL but they came out and did their
best to tear the slowly massing crowd to shreds.
::.
Dry ice filled the air as two giant projector screens were unfurled
and SAMAEL's
intro began rolling. The band took the stage to huge cheers from
the crowd and immediately broke into a thunderous rendition of
Rain, closely followed by The Shining Kingdom.
Sounding enormously heavy and very clear thanks to an excellent
mix, the guys have a stage prescence to match their sound. Vorph
is every bit the frontman, moving his arms in time with the music,
confidently belting out lyrics and thrashing his guitar, then
striding around the stage like a man possessed. Likewise, Masmiseim
and Makro thrash around to the driving rhythms, and Xytras has
to be seen to be believed - on keys he dances and bangs his head
in time with the music, but when he switches to his drum rig he
swings his drum sticks like a madman, literally jumping in the
air and bringing them down on his floor toms during a breathtaking
Jupiterian Vibe.
New tracks
Inch'Allah and On Earth both sounded amazing
live, and the atmosphere was completed by the video projected
onto the screens behind the band. Unlike many times when I've
seen bands use video, the imagery here changed from song to song,
and really suited each track. After new single Telepath,
the band slowed things down a bit for a very powerful Nautilus
And Zeppelin, a haunting track that gave everyone a chance
to get their breath back. Then we were taken back to the Ceremony
Of Opposites album for Black Trip and then
Baphomet's Throne – the intro to the later prompting
a huge cheer and some frenzied headbanging from the crowd.
Vorph's voice
was in fine form for the whole night, sounding perfect from the
frenzied growls of the older material to the more clean style
of the Reign Of Light tracks. Towards
the end of the set, Vorph even put down his guitar for a few songs
and was really getting into the swing of things, dancing and throwing
out hand gestures. After finishing their set with The Ones
Who Came Before the stage the band returned with a crushing
encore. They finished off with The Cross and finally
My Saviour and left the stage having put in a truly outstanding
performance. Their material, most notably that taken from new
album Reign Of Light, sounds utterly
devestating live - a huge wall of rhythm interwoven with intricate
melody. Once again, SAMAEL proved that they are
one of the finest acts in extreme music today, and now that they're
back with a new album I can only hope we see them on this year's
festival circuit. If so, I'll see you down the front!