JARBOE
is without a doubt one of the most charismatic, innovative and
most expressive musician I ever met. The Grande dame of extreme
music already electrified the audience when she performed with
Swans. After she had parted ways with them she most of all called
attention to her solo work with her collaboration with Neurosis
(I luckily could see her performing live with them last year in
London too). Now she just released the double-CD The
Men, the result of a 6-years collaboration with various
remarkable contributors in its support JARBOE
now crossed the pond for her very first European tour.
The final show of this one month lasting itinerary took place
in London at the antique Scala, one of these wonderful old theatres
that is now home for grandiose concerts. The Scala isn’t
a big venue but quite comfortable, with stair benches to sit and
stand on in the backside, giving a good view on the stage from
the upper echelons. It was distinctly smelling of chlorine like
at a hotel swimming pool but none did care. The crowd was sparse,
around 100 people attended the show but they were all the more
touched by what was offered and gave expression to that…
::
pics ::
:.
OLIVIER
MANCHION ~ in his capacity as a very talented
guitarist, is always busy and on the go (Permanent Fatal Error,
Faust, Ulan Bator, Bias) and slipped almost unnoticed onto stage
– I guess everybody thought that’s another roadie
for a guitar soundcheck – surprisingly offering one of his
solo shows. That he supports Jarboe (for the very first time in
UK) is not a total surprise since he and his band Permanent Fatal
Error is working on a collaboration CD entitled Little Red Piano,
where Jarboe will also contribute to. Olivier presented wonderful
guitar post rock (reminding of the Chicago-scene and bands like
Shellac and Tortoise) as sort of essence of PFE, just without
the Jazz parts. OLIVIER MANCHION built up sampled
loops, layer by layer, always adding new melodies on it, so that
the listener was at the end captivated in dense guitar-soundscapes.
Now and then Olivier also resorted to the micro. Musically a fantastic
performance and again something new to me I want to get more of!
:.
FINAL
~ is the „Ambient“ - (he probably
hates this categorization) project of mastermind Justin K. Broadrick
(ex-Godflesh, ex-Napalm Death). He actually should have performed
with his band Jesu tonight; 4-stringer Diarmuid Dalton I saw hanging
around but drummer Ted Parsons obviously couldn’t make the
tonight’s show. So Justin was standing all alone on stage,
crooked over his Apple notebook (visually not thrilling at all)
introducing the audience to his own world of experimental music.
Not too straight, but not too extreme either, wonderfully melodic,
yet dark and sometimes harsh soundscapes were built up. Something
to listen to back home, to drift away… I guess presented
material can be found on the upcoming FINAL album simply
titled Three, scheduled to be released
in February 2006 via Neurot Recordings. By the way… it was
the very first FINAL live performance in 20 years
of existence!!!
:.
THE
LIVING JARBOE ~ warmly greeted with thunderous
applause was accompanied by bass/violin player Paz Lenchantin
(A Perfect Circle, Zwan), guitar hero Nic Le Ban and two drummers
Phil Petrocelli and Mike Rollins. JARBOE opened
the set with Feral, the only song from her just released
album The Men. Right from the first
tone she spread so much energy and transcendence. Every single
note, every single tone and every single line got interpreted
with such an emotion that it took me breath away, leaving me stunned.
Crowd likewise was mesmerized, hanging on her lips and body. To
see and even feel her emotionality, seeing she suffering and being
happy was almost scaring me… while both drummer created
such power and pure energy-thrusts with their dynamics and tribal-like
rhythms. It was unbelievable! Surprisingly most songs came from
her 2000 album Disburden Disciple. JARBOE
herself was intensively interacting with the crowds (but men only,
women were left ignored), likewise spreading and sucking in energy
and spirits, jumping from the stage and performing one track within
the audience.
After just one hour played the show came to an end and the band
was called back on stage again with thunderous applause. Unfortunately
they just did it for only one encore: Mother/Father,
a Swans song (they also played Song For Dead Time and
I Will Swallow You) JARBOE started with
the dedication: “This is for Michael“. Afterwards
JARBOE was deeply touched and breathless that
she needed to read her acceptance speech right from the sheet.
Then she symbolically tore out her heart, giving it to the fans,
thankfully bowing and leaving the stage with cracking (stage-)
doors.
Setlist: Feral, Pure War, Song For Dead Time,
Scarification, Seduce And Destroy, Dear 666, Sinner, I Will Swallow
You // Mother/Father
Unfortunately
it really was the end of all things tonight. No aftershow party,
no meet & greet and autograph signing sessions. Crowd was
dispelling itself quickly, the bar already closed and remaining
fans hauled out by the security. Tooooooooo bad… :( Well,
a typical Monday evening in London… *grrr*
I also had set up an interview that didn’t take place. Could
have been interesting to hear how the European tour turned out
(will do that later as an email interview).
However, this show was definitely worthwhile to head over to London!
With hindsight coz of FINAL and OLIVIER
MANCHION too, but first of all coz of this wonderful,
fascinating, impressing, breathtaking, unbelievable lady, that
left a mark on me forevermore, making me aware of things from
me inside… JARBOE… with utmost respect!